The Augustinian text is being radically rewritten by contemporary theologians to render it compatible with various proposals for a postmodern Christianity. The proximate stimulus is Derrida's deconstruction of the argument of the Confessions. What is positive and what is wanting in his appropriation of the Augustinian dialectic is reviewed, as also what can and cannot be seen of the historical Augustine from within the purview of a postmodern theology.

The Augustinian text is being radically rewritten by contemporary theologians to render it compatible with various proposals for a postmodern Christianity. The proximate stimulus is Derrida's deconstruction of the argument of the Confessions. What is positive and what is wanting in his appropriation of the Augustinian dialectic is reviewed, as also what can and cannot be seen of the historical Augustine from within the purview of a postmodern theology.

Cloning, gene therapy, stem-cell harvesting—are we on the path to a Huxley-like Brave New World? Not really, argues political philosopher and Kass Commission member Peter Augustine Lawler in Stuck with Virtue: The American Individual and Our Biotechnological Future, even as he admits that we will likely become more obsessive and anxious and will be subjected to new forms of tyranny. Rather, he contends, human nature is such that the biotechnological world to come, despite the best efforts of its proponents, (...) will still fail to make it possible to feel good without being good. It will be harder, Lawler warns, to be virtuous in the future, because we will be more detached than ever from the natural sources of happiness. But we may take some solace in the fact that virtue will still be the best way to live well with what we really know. With irony and wit, Lawler delivers the good news about the future of the American individual: We’re going to remain free, because the modern effort to make increasingly individualistic human beings at home with themselves and their environments through technological progress cannot succeed. That is the truth and promise, concludes Lawler, of a genuinely postmodern conservatism. (shrink)

"Williams's masterful translation satisfies (at last!) a long-standing need. There are lots of good translations of Augustine's great work, but until now we have been forced to choose between those that strive to replicate in English something of the majesty and beauty of Augustine's Latin style and those that opt instead to convey the careful precision of his philosophical terminology and argumentation. Finally, Williams has succeeded in capturing both sides of Augustine's mind in a richly evocative, (...) impeccably reliable, elegantly readable presentation of one of the most impressive achievements in Western thought--Augustine's Confessions." --Scott MacDonald, Professor of Philosophy and Norma K. Regan Professor in Christian Studies, Cornell University. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Book Reviews The Historian and History. By Page Smith. (New York: Alfred A. Knopf, 1964. Pp. viii + 249 + Bibliography 261. $4.95.) The dedication of this book to Rosenstock-Huessy sets the stage for what may become the call for reform in "history" in the United States. In later recognizing Rosenstock-Huessy's insights as "the first historical work under the new dispensation," Smith sustains his critique of historical thought. And (...) when historian Smith decries the ignoble rejection which met Rosenstock-Huessy's earlier call for a re-evaluation of "the most basic assumptions of the prewar West" (p. 95), it is well within the style and mood of this book to characterize Smith not simply as a reformer but as a prophet---one grasped and informed by Judeo-Christian tradition. It is Smith's belief that "history," as taught and practiced in the educational-professional matrix, has lost its vision and thereby its relevance to a generation struggling for identity. The blame for this situation is deeply rooted in the historian and the method he has pursued. However, as a review of the contents of the book will reveal, Smith's concern is constructive as well as critical: His purpose is to direct attention to the wider implications of historiography -metaphysical or theological--wherein a promise for meaningful existence in an imperfect world may be forthcoming. In broad outline the book contains four parts. The first, chapters 1-6 inclusively, traces the evolution of the idea of history. In this context the contributions of the Jews ("who discovered history," p. 5), the Greeks, Christianity, Augustine, Nietzsche, and Dilthey--to name only a few of the particulars--are presented. The theme is that modern historical thought, consciously or unconsciously, is more deeply rooted in the heritage of the Christian linear-time motif, as opposed to the Greek cyclical-time scheme, than historians have been predisposed to admit. The second part, chapters 7-10, presents some of the more outstanding characteristics and trends of modern-contemporary historiography. In this connection the impact of the neoorthodox movement in theology, reacting to the shock of World War I, is dialectically interpreted among the more recent moods of philosophic existentialism on the one hand, and scientific historicism on the other. The thrust of this section is the positive acknowledgment that "history" is too much immersed in the contingencies of human existence---with all its frailties--to be uncritically delimited by any particular "science." In the third section, chapters 11-14, a more definitive analysis and critique of contemporary standards of historiography is presented. Subjects which come under Smith's perspicacious and sometimes sardonic criticism include "objectivity," "subjectivism," "relativism," "individualism," "sciantism," and "historicism," to name only a few. The insight of this part, provocatively delineated and defended in the Twelfth Chapter ("A Case in Point: The American Revolution") is that generally speaking it is an illusion to believe that "perspective" or "distance in time" necessarily guarantees a "truer interpretation." More specifically and positively Smith argues that the relation between "historic event" and the "authentic integrity of the participant" must remain inviolable. The fourth and final part, chapter 15, discerns how an awareness of the historic dimension of human existence may provide a help, albeit a limited one, to those who seek meaningfulness amidst "the turbulent waters of our time." The theme of this section, although somewhat confessional and poetic in tone, is that "the historic" frees the individual ]tom the weight of the present and ]or the wider dimensions of authenticity in terms of community, on the one hand, and the Divine, on the other. The underlying thesis which unites the four parts of the book is: The historian's task is a moral one in which it is his responsibility to discern from the drama of the race a vision of authentic selfhood aetualizable in terms of transcendence. Just what the implications of this [251] 252 HISTORY OF PHILOSOPHY thesis are, and what it presages for "history" in "a new frame of reference" (p. 224) can be appreciated in part by reading it from the point of view of more explicit themes characteristic of Smith's position. In this regard his contributions to the... (shrink)

The perception of meaningful patterns in random arrangements and unrelated events takes place in our everyday lives, coined apophenia, synchronicity, or the experience of meaningful coincidences. However, we do not know yet what predicts this phenomenon. To investigate this, we re-analyzed a combined data set of two daily diary studies with a total of N = 169 participants (mean age 29.95 years; 54 men). We investigated if positive or negative affect (PA, NA) predicts the number of meaningful coincidences on the (...) following day (or vice versa). By means of a cross-lagged multilevel modelling approach (Bayesian estimation) we evaluated with which of two theoretical assumptions the data are more in line. First, if meaningful coincidences are facilitated by a broader and more flexible thinking style, PA should positively predict meaningful coincidences at the following day. However, if the experience of meaningful coincidences signifies a strategy to cope with negative feeling states, NA should predict the experience of meaningful coincidences during the following day. In favour of a more flexible thinking style, we found that PA predicted the number of perceived coincidences the following day. We did not find any effect for NA, and therefore, no evidence arguing for the coping mechanism hypothesis of meaningful coincidences. (shrink)

Sacred Rhetoric: The Christian Grand Style in the English Renaissance; Debora K. Shuger; Princeton University Press; ISBN - 9780691067360Rhetorics of Reason and Desire: Vergil, Augustine, and the Troubadours; Sarah Spence; Cornell University Press; ISBN - 9780801421297.

Phillip Cary argues that Augustine invented or created the concept of self as an inner space--as space into which one can enter and in which one can find God. This concept of inwardness, says Cary, has worked its way deeply into the intellectual heritage of the West and many Western individuals have experienced themselves as inner selves. After surveying the idea of inwardness in Augustine's predecessors, Cary offers a re-examination of Augustine's own writings, making the controversial point (...) that in his early writings Augustine appears to hold that the human soul is quite literally divine. Cary goes on to contend that the crucial Book 7 of the Confessions is not a historical report of Augustine's "conversion" experience, but rather an explanation of his intellectual development over time. (shrink)

This article explores enchantment, disenchantment, and re-enchantment in reference to modern medicine’s view of the body. Before considering Weber’s enchantment paradigm, I question some core assumptions regarding sociology as methodologically scientific and value-free. Furthermore, I draw on Jenkins who helps to illustrate the difficulty of rooting terms such as enchantment, disenchantment, and re-enchantment; the question remains “which” historical and cultural period is employed as the basis for such sociological terms. Such questions are critical, but not entirely dismissive of modern medicine (...) as “disenchanted”; with some more explicit foundational and presuppositional context, disenchantment can be a helpful notion for approaching questions of the “new body.” St. Gregory Palamas’ Christian materialism and mystical anthropology present such an explicit foundation. Moreover, this Patristic foundation moves past the postmodern aporia of emphasizing either immanence or transcendence—two polar attractions that factor heavily in the way modern medicine views the body. (shrink)

This rich and varied collection of essays addresses some of the most fundamental human questions through the lenses of philosophy, literature, religion, politics, and theology. Peter Augustine Lawler and Dale McConkey have fashioned an interdisciplinary consideration of such perennial and enduring issues as the relationship between nature and history, nature and grace, reason and revelation, classical philosophy and Christianity, modernity and postmodernity, repentance and self-limitation, and philosophy and politics.

Edward Said writes that Orientalism is a Western style for dominating the East. Richard Rorty proposes that intellectuals should be modern liberals in their politics but postmodern ironists in their intellectual lives. Rebecca Catz argues that Fern?o Mendes Pinto's Peregrination, a sprawling account of travels in the East first published in 1614, is a ?plea for toleration?. How do these theories stand up when confronted with the text? Once as well known as Cervantes's Don Quixote, this text has (...) been undeservedly overlooked in the study of political ideas, and that is a loss because it might make Saidians, Rortians and toleration theorists rethink some of their ideas. It is wrong to take Mendes Pinto's criticisms of Asians as Orientalism, partly because Mendes Pinto is equally critical of the Portuguese and other Europeans. It is wrong to think that irony can provide a comfortable intellectual home, partly because Mendes Pinto's life and text provide examples of a much more subtle and nihilistic irony than Rorty imagines. And finally, it is wrong to think that Mendes Pinto's text is a ?plea for toleration? in any but the most attenuated sense. (shrink)

This present volume is the twenty-ninth in the Re-Reading the Canon series, the title of each of which volumes begins Feminist Interpretations of . . . . Surprisingly, the volume on Augustine has appeared relatively late in the series. The editor has collected eleven essays plus a poem on feminist interpretations of the bishop of Hippo, who has certainly exerted a powerful influence on the view of women in the Western Christian churches of all major denominations. Besides the essays, (...) Stark has provided a substantial introduction to the volume in which she touches upon the principal events of Augustine's life and briefly sketches the main points of each essay.The feminist interpretations of Augustine included in the volume represent a broad spectrum running from quite radical to fairly moderate or even tame approaches. In "Augustine, Sexuality, Gender, and Women," Rosemary Radford Ruether presents a call to critique the views of Augustine from which women and men have suffered for over 1500 years in Western Christianity. Anne-Marie Bowery argues in "Monica: The Feminine Face of Christ" that Augustine's portrait of Monica allows us to "reframe the masculine image of the divinity" that is. (shrink)

Overcoming Onto-theology is a stunning collection of essays by Merold Westphal, one of America’s leading continental philosophers of religion, in which Westphal carefully explores the nature and the structure of a postmodern Christian philosophy. Written with characteristic clarity and charm, Westphal offers masterful studies of Heidegger’s early lectures on Paul and Augustine, the idea of hermeneutics, Schleiermacher, Hegel, Derrida, and Nietzsche, all in the service of building his argument that postmodern thinking offers an indispensable tool for rethinking (...) Christian faith. A must read for every student and professor of continental philosophy and the philosophy of religion, Overcoming Onto-theology is an invaluable collection that brings together in one place fourteen provocative and lucid essays by one of the most important thinkers working in American philosophy today. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Jameson on Jameson: Conversations on Cultural MarxismPaul Allen Miller (bio)Jameson, Fredric. Jameson on Jameson: Conversations on Cultural Marxism. Ed. Ian Buchanan. Durham, NC: Duke UP, 2007. 296 pp.Fredric Jameson may well be the greatest intellectual produced by the United States in the last half century. It is difficult to think of anyone else who has made as many, as lasting, and as wide-ranging contributions as Jameson. From his (...) early work on Sartre’s style, passing through the twin opera on dialectical theory (Marxism and Form) and formalism and structuralism (Prisonhouse of Language), and the idiosyncratic appreciation of Wyndham Lewis (Fables of Aggression) to that summa of Marxist hermeneutics, The Political Unconscious, and from his major collection of essays, The Ideologies of Theory, through his books on Adorno (Late Marxism) and film (Signatures of the Visible), to that foundational text on postmodern literature, theory, art, and architecture, Postmodernism or the Cultural Logic of Late Capitalism, and the late work on world cinema (The Geopolitical Aesthetic), utopianism (The Seeds of Time), Brecht (Brecht and Method), modernity (A Singular Modernity), and science fiction (Archaeologies of the Future), Jameson’s career is unparalleled in the American letters. It is perhaps not coincidental, either, that this larger-than-life figure on the intellectual stage ranging easily from Russian formalism to Deleuzean antihumanism, from Balzac to Frank Gehry, and from Hegel to Derrida, is an intellectual dissident. Contemporary American life’s alternation between uncritical consumerism (Marcuse’s one-dimensional man) and nonothing anti-intellectualism (Christian fundamentalism and corporate-fueled jingoism) could only produce such a body of work as an alien presence: its own systemic negation and thus the fullest expression of its deepest internal contradictions. The present collection of interviews from 1981 to the present, then, stands as a welcome commentary on Jameson’s vast work and an important reflection of the changes in American intellectual life in the period from the last days of the Cold War to the end of the second Bush administration.Naturally, as with any collection of interviews, not every thing is new here. Indeed, to the seasoned reader of Jameson, much of this is familiar territory, and there is a fair amount of repetition from one interview to the next (Goethe’s concept of “world literature,” for example, is a recurring motif). Nonetheless, there are many moments of real insight and bold commentary that remind us why Marxism is far from dead and how Jameson has achieved an iconic status rivaling that of Lukacs, Althusser, or Eagleton, as one of the preeminent Marxist thinkers of the last century. Many of these come in the form of vignettes, little snippets of cultural analysis. One such comes in Jameson’s interview with Columbia University Professor of History Anders Stephanson. Here Stephanson asks Jameson to comment on the recent architectural and cultural phenomenon of creating ersatz public spaces. These come in the form of commercial areas that present themselves in guise of “squares,” “plazas,” or “villages.” They make reference to and pastiche traditional forms of life and then re-represent them in the form of a hypercapitalist consumerism. These simulacra of less alienated, precapitalist forms of [End Page 65] life are then presented as depthless surfaces, parodies of authenticity. The archetype of such ersatz public spaces is Disney’s EPCOT:Stephanson: In other words, you are referring to his compressed version of the world; little toy countries where you can orient yourself in no time at all.Jameson: I suppose you can orient yourself because walking paths are available. But where you actually are is a real problem, for you may in fact be in the Florida Everglades, and in this case you are not only in a swamp but also in a simulacrum of a different geographical complex altogether. Disneyland is, on the whole, supremely prophetic and paradigmatic of these multiple shifting and dissolving spatial levels. (49)This is both an insightful observation and a wonderful example of Jameson’s dialectic at work. One moment we’re walking hand in hand with Goofy round the little, fake Eiffel Tower of EPCOT and the next we sink into the morass that paved the Everglades, acquired control... (shrink)

Augustine of Hippo is a giant in the history of Christian thought, commended by St Jerome for having virtually 're-founded the old faith'.

Augustine’s doctrine of Jewish witness maintains that, although Christianity has superseded Judaism as the one true religion, it is God’s will that the Jews continue to exist because they preserve and authenticate the Old Testament, divinely-inspired texts which foretold the coming of Jesus. Thus, Christian rulers are obligated to protect the religious liberties of the Jewish people, and the church should focus its missionary efforts on pagans rather than Jews. Current scholarly consensus holds that Augustine adhered consistently to (...) this doctrine from its first iteration in Contra Faustum in 398 until his death in 430. However, this essay argues that, when Augustine spoke his last words on the subject in the Tractatus Aduersus Iudaeos, the doctrine was no longer his primary guide in thinking about how Christians should interact with Jews. In marked contrast to his earlier views, here, Augustine passionately urges Jews to accept Christ and encourages his congregation to try to convert them. This reading of the Tractatus Aduersus Iudaeos calls for a re-examination of the development of Augustine’s teaching, particularly in the context of dramatic changes in imperial policy toward Jews in the 420s. (shrink)

From the beginning, Augustine's "Confessions" presents itself as a dialogue with God. Taking a cue from Ludwig Feuerbach’s "The Essence of Christianity [Das Wesen des Christentums]," this dialogue can easily be dismissed as a projection of the self. This would imply that the divine otherness is nothing more than a mirror of one’s own fears and preferences. “Does this critique,” I asked myself in this piece, “really do justice to a position like that of Augustine?” For a long (...) time, I did not know how to approach what I had — provisionally — called Augustine’s dialogue with God. It appeared to me that Augustine, in an accidental and indirect way, had re-invented the Platonic dialogue and had turned it into a new Christian genre. “It is true,” I told myself, “that the genre of the Confessions shows family resemblances with the hagiography and the autobiography. But most certainly it cannot be reduced to these genres.” The Greek words ‘hagios’ (holy) and ‘autos’ (self) are in flagrant contradiction with the intention of the Confessions. Augustine tries to stay clear of any claim of holiness and only highlights his own ‘self’ to immediately question it. “Is the Platonic dialogue,” I asked myself, “not a far more appropriate predecessor for Augustine’s dialogue with God?” Both types of dialogues can be seen as true dia logoi in which at least two different voices emerge. However, contrary to what one would expect, it is not the dialogue form itself that frames these two voices. Instead the two voices emerge within the discourse of a single speaker, incorporating true otherness within the discourse of the self. Building on these reflections, I explore how Augustine's dialogue with God succeeds in eluding Feuerbach's charge of self-projection. (shrink)

Christianity began as a little-known Jewish sect, but rose within 300 years to dominate the civilised world. It owed its rise in part to inspired moral leadership, but also to its success in assimilating, criticising and developing the philosophies of the day, which offered rationally approved life-styles and moral directives. Without abandoning their allegiance to their founder and to Holy Scripture, Christians could therefore present their faith as a 'new philosophy'. This book, which is written for non-specialist readers, provides a (...) concise conspectus of the emergence of philosophy among the Greeks; an account of its continuance in early Christian times, and its influence on early Christian thought, especially in formulating the doctrines of the Trinity and the Incarnation; and finally a brief critical assessment of the philosophy of St Augustine - arguably the greatest philosopher of the first millennium. (shrink)

Augustine's philosophy of life involves mediation, reviewing one's past and exercises for self-improvement. Centuries after Plato and before Freud he invented a 'spiritual exercise' in which every man and woman is able, through memory, to reconstruct and reinterpret life's aims. In this 2010 book, Brian Stock examines Augustine's unique way of blending literary and philosophical themes. He proposes a new interpretation of Augustine's early writings, establishing how the philosophical soliloquy has emerged as a mode of inquiry and (...) how it relates to problems of self-existence and self-history. The book also provides clear analysis of inner dialogue and discourse, and how, as inner dialogue complements and finally replaces outer dialogue, a style of thinking emerges, arising from ancient sources and a religious attitude indebted to Judeo-Christian tradition. (shrink)

BETWEEN St. Augustine and Plato, as between St. Thomas and Aristotle, there are significant analogies. If Whitehead exaggerated only pardonably little in describing Western philosophy as a series of footnotes to Plato, one could point to a similar relationship between Christian thought and Augustine. Plato and Augustine were fertile in inspiration, Aristotle and Aquinas were systematizers on the grandest scale. Augustine is often styled the Christian Plato; this is true in part because he was a Platonist, (...) but perhaps even more because both men were great artists, who have scarcely had rivals in the whole of Western philosophical history. Even in their manner of artistry they agree, for both were censorious of art, and indeed for analogous reasons; yet each manifested in his writings an artistry that somehow achieved the goal for the attainment of which he disputed with art itself. The difficulty of disengaging from the thought of Plato, or of Augustine, a series of views, a synthesis of arguments, a statement of acquired conclusions, is notorious; the expositor who, like myself, undertakes to explain the Augustinian view of time cannot hope simply by excerpting a series of propositions from the living dialectic of the Confessions to present them as a remainderless rendering of the original, any more than one can translate poetry into prose and expect to retain its meaning, without remainder. If the attempt is made, there remains, despite all disclaimers and warnings, an ineluctable element of betrayal. I offer what I do, neither in the guise of an accurate summary of Augustine's views on time, nor as a rebuttal of other interpretations of Augustine's mind, but simply as an incitement to the reading of the Confessions, and as a provocation or stimulus to philosophical mimesis. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Elizabeth Hanson-Smith AUGUSTINE'S CONFESSIONS: THE CONCRETE REFERENT The chief problem facing critics who would consider the Confessions as both a literary work and a philosophical treatise remains the connection between the first nine books, the autobiography, and the last four, the metaphysical speculations on time, eternity, epistemology, and theology. A persistent desire to justify the work as an aesthetic whole has led critics on a search for thematic (...) and structural unity; they have been more successful in the former endeavor than in the latter. The interpretation of the work's plot as a peregrinatio animae, a pilgrimage of the soul, is now generally accepted as definitive; but attempts to find structural unity within that broad outline have not progressed beyond Marrou's characterization of the work as a "musical composition."1 His analogy to music has not been anchored to any concrete structural features of the Confessions and does not illuminate the connections between its content and its form. I shall attempt to prove that a unified structural model for the development of the soul in the Confessions does indeed exist and is outlined in Augustine's earlier discursive work, the De quantitate animae.2 The seven degrees or steps (gradus) of the soul's ascent to God, as sketched in the De quantitate, are deliberately fleshed out and translated into a mimetic, narrative version in the Confessions. Placing the two works side by side gives us a unique opportunity to examine a typically medieval literary form, the educative journey, in its relationship to its philosophical premises. Such a study reveals the inner formal unity of the literary work and, further, provides us with significant evidence for a re-examination of Augustine's Neo-Platonism, his supposed dualism, and his influence on later works, both literary and philosophical. In the Confessions we see one of the earliest Christian blendings of several models: first, the educative journey, the archetypal pattern familiar from the Odyssey, the Aeneid, and even The Golden Ass of Apuleius. Augustine's version, like later medieval cosmologies, also 176 Elizabeth Hanson-Smith1 77 includes a vision of the cosmic order and its relationship to human order, elements of significance in pagan philosophical works such as the Timaeus and the Dream of Scipio. But Augustine's journey also depends upon the Judeo-Christian conception of history as a series of figurae or types of the Messiah: the protagonist of the Christian educative journey joins thefigurae of the Biblical past. Christ's incarnation as Mansoul and his life on earth are the pattern of universal history from Fall to Apocalypse; Christ's life becomes a figurative pattern for the actions of Everyman.3 The Confessions is one of the earliest Christian works to apply this pattern in a narrative context. Augustine was also preoccupied with the Hexaemeron, the six days of creation and the seventh of rest. He views the exegesis of Genesis as an explanation of all subsequent life; the Ages of Man recapitulate the days of creation, as do the sacraments and the seven steps in the ascent of the soul. Thus, to the figurative pattern of Christ's "pilgrimage" from creating Logos to Incarnate God and finally to judge at the Second Coming, Augustine applies the schematic seven-fold ascent found in the De quantitate: the soul passes through the ascending steps of animation, sense, art, religion, tranquillity, initiation, and contemplation—each of which is figured by or patterned on a stage in Christ's life, as represented by the sacraments, and each of which, further, reflects a segment of universal history. The seven steps are not simply the movement of the individual soul, but the progress of Mansoul on its journey to Apocalypse. The stylistic differences between the two works—one an exposition written as Socratic dialogue, the other a metaphorical personal narrative —will no doubt give rise to differing interpretations; but one may, I think, object to certain details I suggest while still agreeing that the De quantitate provides the structuring model. Let me first define the major areas of difference between the two works. In the De quantitate, each of the levels or steps of the soul takes on a discrete, separate... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Christian Social Ethics by Elmar NassAndrzej Dominik KucińskiChristian Social Ethics by Elmar Nass (Lanham, MD: Rowman & Little-field, 2022), 512 pp.In his extraordinarily comprehensive work, Elmar Nass, professor for Christian social sciences and societal dialogue at the Academy for Catholic Theology of Cologne, Germany, delivers with what he promises [End Page 302] in the title of this great opus: it is a real guide to Christian social ethics, (...) including both its foundations and numerous fields of current application. Although the book was first published in Germany and some application parts refer rather to specific discussions in the Teutonic area, as the author himself says in the preface, his general intention to provide a "universal socio-ethical basis for argumentation" and the ambitious attempt to "make this work a starting point for globally effective Christian social ethics" (xiv) are fulfilled, as the book undoubtedly speaks to the universal questions of social ethics, while it invites a search for concrete solutions to regional problems by implementing the corresponding criteria and basic principles. Indeed, the original German perspective, in which the growing emphasis on the ultimate authority of human sciences in theology often leads to a Cinderella-like existence of genuine Christian traditions and proposals based on Revelation, may be understood as a productive challenge which incentives Nass's efforts to re-create a "substantive ethics" that is marginalized in the postmodernity (xviii). However, these efforts are not destined to flow into a kind of restoration or a mere archaeological appreciation of former Catholic propositions. Nass struggles rather for adequate answers corresponding to the present, but answers deeply rooted in the conviction that Christians still have something to say to the world based on their own timeless knowledge.Hence, it is understandable that, in the short introduction, the author first sets out the postmodern contexts of ethical tasks and, while dealing with secular orientations of the present, calls for an ethics that derives from respective views of humanity and society. For Nass, there is no reason to exclude the religious point of view from this dialogue. On the contrary, his anti-secularist programmatic statement—"Imagine there is a God" (xix)—is both courageous and provocative in a scientific world that forbids theology to give orientations to all the people, with the excuse of alleged lack of universalizability In doing this, Nass complies with Jesus's mandate to the disciples to be "leaven" in Matt 13:33 and light and salt of the earth in Matt 5:13 and following (xx). The rationale for addressing and advocating "substantive Christian social ethics" is its rationality and the author's trust in the "healthy democratic culture of debate" (xx), which is, however, understood in terms of dialogue around common values and positions rather than based on mere rules of secular discourse ethics. The chosen Catholic perspective is thereby situated in an ecumenical context and directed to a real dialogue with other competing ethics, both religious and secular, including the disposition to better understanding of one's own views. Out of this approach, Nass will propose some applications of Christian principles of social action. [End Page 303]These purposes determine the clear structure of the work, consisting of three main parts, divided in thirteen singular chapters. Part 1 ("The Mission") revives a concept which—at least under this specific term—is almost completely removed from mainstream theological debates in Germany, especially in ethical context. "Christians are in the world, but not of the world" (1)—that is how Nass begins his argumentation in favor of an indispensable missionary calling within Christianity. In my opinion, it is this part of the volume that deserves the most attention, as it expresses a sound, self-confident Christian awareness of being enabled and invited to do something good for the rest of the world, while starting from one's own metaphysical basis. Nass presents Christian social ethics without any inferiority complex, as if it were something to be hidden in the twenty-first-century world or as if Christians were compelled to merely repeat what the secular world permits them to say. Consequently, Nass addresses from a Christian perspective the question of goodness as... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Christian Ethics in a Technological Age by Brian BrockDavid W. GillChristian Ethics in a Technological Age Brian Brock Grand Rapids, Mich.: Eerdmans, 2010. 408 pp. $34.00Brian Brock is a lecturer in moral and practical theology at the University of Aberdeen, Scotland, and the author of Singing the Ethos of God: On the Place of Christian Ethics in Scripture (Eerdmans, 2007). Christian Ethics in a Technological [End Page 188] (...) Age was originally Brock’s doctoral thesis at King’s College, London. Brock begins by highlighting and finding wanting the modern practice of “technology assessment” as epitomized in the establishment of the US Office of Technology Assessment in 1972. We live in a world, a milieu, of ever-multiplying new technologies and technological artifacts. “Technology assessment” attempts to evaluate their impacts as thoroughly as possible through scientific, managerial methods. Costs and benefits, benefits and harms, short-term and long-term, near and distant effects: how can we measure what we know and extrapolate to what we need to know?In part 1 Brock engages in some detail the thinking of Martin Heidegger, George Grant, and Michel Foucault on technology. Although Heidegger and Foucault in particular are not ultimate authorities for Brock, his chapters on their work provide a helpful philosophical critique of the inadequacies of today’s narrow managerial approaches to technological assessment. The real problems lie much deeper: in the ways technology reflects and restructures our whole way of thinking about life, materiality, subjects and objects, and means and ends.Having used Heidegger, Grant, and Foucault to unmask the complex reality of technology in the modern era, Brock turns in part 2 to Augustine, Karl Barth, and Bernd Wannenwetsch to try to build a Christian theological ethics of technology and work that will, in the end, provide a richer texture for our interactions with the questions raised by new technologies. In briefest terms, he argues that our questions and judgments about technology should arise within the church gathered for worship rather than within the management team gathered for measurement of effects. It could be said that in the former it is God who questions technology whereas in the latter technology and its servants constitute an implicit challenge to God and the world external to themselves.Brock’s study will be of particular interest to students of his primary six sources: Heidegger, Grant, Foucault, Augustine, Barth, and Wannenwetsch, whose ideas and quotations dominate the pages of this book. Without any doubt Christian Ethics in a Technological Age is a significant work that deserves careful consideration in graduate seminars and among specialists in the field; nonetheless, I have three criticisms. First, the work would have been much stronger if it demonstrated awareness and understanding of the work of Jacques Ellul, Carl Mitcham, Albert Borgmann, and other leading thinkers in this arena. Second, Brock’s writing style (long, complex Germanic sentence structures, eccentric vocabulary choices such as the recurrent use of “purchase”) gets in the way of successful communication—especially with the very managers and technologists he presumably would like to influence. Third, while sympathizing with his rejection of managerial formulas for analysis, some much more concrete and practical counsel on the implications of his position would have been [End Page 189] helpful. How do trust and trustworthiness get reestablished? How does a worshipping congregation hear God’s guidance about its particular engagements with technologies? We have some eloquent statements of the concepts but little by way of illustration or example.David W. GillGordon-Conwell Theological SeminaryCopyright © 2013 Society of Christian Ethics... (shrink)

In this dissertation, I will examine the problem of theological fatalism in St. Augustine and, specifically, whether or not Augustine was philosophically justified in his belief that his views on divine grace and human freedom could be harmonized. As is well-known, beginning with his second response To Simplician (ca. 396) and continuing through his works against the semi-Pelagians (ca. 426-429), Augustine espoused the Pauline doctrine of all-inclusive grace: that the fallen will’s ability to accomplish the good is (...) totally a function of God’s elective grace. What, then, does the fallen will do to work out its own salvation? There is the further issue of how to reconcile Augustine’s rather extreme emphasis on grace in his later works with the more balanced picture we receive in his sermones ad populum, written throughout his forty-year preaching career. In many of these sermons, even those written during the Pelagian controversy, Augustine is careful to leave space for both divine and human initiative in the process of our justification within the totus Christus, or ‘whole Christ.’ How we can understand Augustine in his role as doctor gratiae and as preacher of human freedom will be a major inquiry of this dissertation.The most serious obstacle to moving forward on these problems has been and remains the essentialist interpretation of Augustine’s Trinitarian theology by most commentators. On their interpretation, Augustine thought that there were no real distinctions within the Trinity, with each of the three divine persons and their actions sharing in the absolute unity of the divine essence. Holding this interpretation not only does away with the distinctness of each of the persons, but also requires all of God’s different powers and attributes, including willing and foreknowing, to be coalesced into one another without distinction in the divine essence. God’s foreknowledge is thereby identified with God’s will, which necessarily leads to theological fatalism: God would have to will everything that He foreknows, and God would have to foreknow everything that He wills. Since God is omniscient, He wills everything that will happen, including the future willings of the fallen human will.It cannot be denied that there are texts in the Augustinian corpus that seem to point to a reading of the Trinity as absolutely simple. But this study will endeavor to show that there are also other largely overlooked texts in On the Trinity, the Confessions, and his Commentaries on the Literal Interpretation of Genesis (among others) that argue for various distinctions within the Trinity to make sense of the relation between Creator and creature, and the differences between the divine processions of generation/spiration, and the act of creation. These texts will be shown to parallel very closely the position of the Eastern Orthodox Christian tradition, which consistently uses the real distinction between God’s essential being and energetic activities (also known as the essence-energy distinction) to avoid the problem of theological fatalism. This rich theological and philosophical tradition, from the time of the fourth-century Greek Fathers to the Byzantine tradition that followed, differs less with Augustine concerning the essentials of Trinitarian theology and its practical implications for solving the problem of making human freedom and divine grace compatible than has been hitherto thought. (shrink)

Ancient and modern scholars are so unanimous in their condemnation of Varro as a writer, that a study of his ‘style’ may seem to be valueless. Cicero paid ready tribute to his great contemporary's learning, but studiously forbore to say anything about his writing, a fact which was observed by Augustine, who admitted Varro's inferiority in this respect. Quintilian, in a guarded way, makes the same criticism; for him Varro is ‘plus scientiae collaturus quam eloquentiae’. In recent times (...) Norden has castigated the De, Lingua Latina as exhibiting the worst Latin style of any prose work, and his opinion of the Res Rusticae is not much higher. (shrink)

Drawing on the work of Nicholas Boyle, this paper argues that postmodernism represents the intellectual style we should expect as part of developing global capitalist regimes. Accordingly, I argue that postmodernism is not a friend but an enemy to Christianity just to the extent the former tempts us to lose our history. In that respect, the challenge of postmodernism is no different than the challenge of modernity. It becomes the Christian task now to narrate modernity and postmodernity on our (...) own terms rather than those offered by the postmodernists. But for Christianity to be capable of such narration, it must rediscover in its own life the significance of the church which is capable of surviving in a world which is in many ways quite accurately described as postmodern. (shrink)

The book's purpose is to introduce the reader to questions in Christian ethics through a careful examination of the fundamental meta-ethical questions posed by the "state we're in," whether understood as a new phase of modernity or as postmodernity.

Arendt and others have regarded Augustine as “the first philosopher of the Will,” considered in a broadly naturalistic sense. However, the Stoicism that influenced the young Augustine has a better claim to have “invented” such a will. His own thinking about will was profoundly affected by the Neoplatonism that facilitated his reconversion to Christianity. On the one hand, Augustine envisaged the near negation of will through the irrationality of sin and the fall. On the other, he came (...) to believe that through grace will could be re-identified with charity and with reason, human and divine. From a philosophical point of view, he thus rationalized, and in effect nullified, the concept of will with which he began. (shrink)

John Milbank's case against secular reason draws much of its authority and force from Augustine's critique of pagan virtue. "Theology and Social Theory" could be characterized, without too much insult to either Augustine or Milbank, as a postmodern "City of God". Modern preoccupations with secular virtues, marketplace values, and sociological bottom-lines are likened there to classically pagan preoccupations with the virtues of self-conquest and conquest over others. Against both modern and antique "ontological violence" (where 'to be' is (...) 'to be antagonistic'), Milbank advances an Augustinian hope for the peace that is both beyond and prior to the peace of (temporarily) repressed antagonism. One aim of this essay is to consider whether virtues conceived out of such a hope are really all that different from the virtues they are taken to replace. I take a critical look at Augustine's critique of pagan virtue, Milbank's appropriation of that critique, the applicability of that critique to Plato, and the polemical value of Augustine's notion of original sin. I end up being skeptical of the notion of a peculiarly Christian way to turn antagonistically conceived virtues into love, but I am not unsympathetic to Milbank's concerns about a loveless and self-complacent secularity. (shrink)

The head of InterVarsity Christian Fellowship at Harvard, MIT, and Tufts, Curtis Chang turns to the seminal works of Augustine and Thomas as a way of engaging the challenges of postmodernity. He accordingly argues that Aquinas’s De Civitate Dei and Aquinas’s Summa Contra Gentiles were composed precisely to challenge a world growing suspicious, if not negligent, of the Christian story. The rhetorical strategy Chang cleverly uncovers in both DCD and SCG is threefold: both Augustine and Thomas enter their (...) opponents’ unique stories and worldviews, both retell that story by reinterpreting that story on their opponents’ own terms, and finally, each capture that retold tale and tell the eternal story of Christianity in a way that is now intelligible and attractive to their interlocutors. (shrink)

The delusory quest for disembodiment, against which the quest for re-embodiment is reacting, is characteristic of macroparasites who live off the work, products and lives of others. The quest for disembodiment that characterizes modernism and postmodernism, it is argued, echoes in a more extreme form the delusions on which medieval civilization was based where the military aristocracy and the clergy, defining themselves through the ideal forms of Neo-Platonic Christianity, despised nature, the peasantry and in the case of the clergy, women. (...) This argument is used to expose and reveal the oppressive and ecologically destructive drive underlying the aspirations of the dominant classes in the modern/postmodern world to disembodiment, whether this be seen as the quest to be unbounded by time and place, to be free of dependence on labour and natural resources, to be free of the humdrum of everyday life by entering ‘virtual’ worlds, or, as with post-humanists, to overcome the limits of the body by fusing with technology. These modern and postmodern forms of the quest for disembodiment, it is suggested, now threaten civilization, the future of humanity and most terrestrial life. This analysis is used to clarify the liberating mission of the grand narrative for re-embodiment, exemplified by the quest for Inclusive Democracy, Earth Democracy, Ecological Civilization, or for an Ecozoic Age. The grand narrative of the Age of Re-embodiments is shown to be inseparable from the struggle for truth, justice and liberty as central to real democracy empowering people to augment rather than undermine the conditions for life. (shrink)

Originally published in 1956, this survey of the interpretations of sex by the major figures in Christian thought and in psychoanalysis made an important contribution to the re-thinking of our sexual morality at the time. The author refutes the common belief that the negative attitude toward sex and the body, which had been predominant in western civilization, originated with Christianity. He shows that such a viewpoint was widespread in the early Hellenism Age, nearly three centuries before Christ. He emphasizes the (...) essentially positive view which Biblical religion demands and shows how Christianity's attitude early became corrupted by the dualism of the Orient. He points to the need for a return to essential naturalism and the Biblical interpretation of sex. The first part of the book consists of a historical treatment in the Christian tradition, touching upon the teaching of Jesus, Paul, Augustine, Aquinas, Luther, Calvin and others. He analyses the classical and contemporary attitudes and ideas in both Catholic and Protestant circles and shows how Christian understanding comes into conflict with psychoanalysis. In the later portions of the book the author discusses sex and psychoanalysis and the major problems in sexual mores. He ends with a synthesis of the religious and psychoanalytic points of view and a critical reconstruction of a Christian interpretation. (shrink)

For more than 25 years, research misconduct is defined as fabrication, falsification, or plagiarism —although other research misbehaviors have been also added in codes of cond...

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS The Growth of Mysticism: Gregory the Great through the 12th Century, volume two of The Presence of God: A History of Western Christian Mysticism. By BERNARD MCGINN. New York: Crossroad, 1994. Pp. xv + 630. $49.50. This second volume of the History of Western Mysticism covers the period from the sixth through the twelfth century, from Gregory the Great to the Victorines. It fully lives up to (...) the high expectations raised by the first part and displays the same skill in presenting the fruit of enormous learning in a clear, comprehensible manner. The compact section of notes, occupying onethird of the volume, shows how well the author has succeeded in mastering the abundance of sources, primary and secondary, the current Renaissance of medieval studies has rendered available. Undaunted by the mass of recent literature McGinn's established and constantly renewed acquaintance with the original texts enables him judiciously and critically to compare interpretations and judgments. Method and balance mark this work as much as learning and erudition. Its unadorned but easy style, the language of the lectern, renders his work accessible to a wider public, even if the casual tone does not always reflect the intensity of its subject. The author has structured his study around four major figures: Gregory the Great (sixth century), Scottus Eriugena (ninth), Bernard and William of Saint-Thierry (twelfth). They form the centers of three spiritual epochs of the early Middle Ages. Each one of these periods is introduced by informative chapters on the general conditions of spiritual life. The study concludes with a chapter on visionaries who belong to none of the schools represented by the key figures and a chapter on Victorine writers that already prepares for the next volume on the high season of Christian mysticism. The simple structure allows each of the great ones to be given a full chapter. Rather than drowning his survey in an abundance of forgettable names as encyclopedic histories tend to do, McGinn has accommodated the minor figures in his transition chapters where general headings dominate individual characteristics. By devoting so much space to the great ones, the author has transformed much of what could have remained a mere survey into a series of monographs. It enabled him to highlight the unique significance of at least two previously neglected figures in the rather arid span of time that separates the patristic period from the flowering of the twelfth century: Scottus Eriugena and William of Saint-Thierry. Eriugena's intellectual importance has been established for some time, yet mainly with historians of philosophy and Neoplatonist thinkers. Here he appears as the key thinker who transmits 475 476 BOOK REVIEWS Dionysius's negative theology to the Latin West and who prepares the new mysticism of the divine image that was to culminate in Eckhart and Ruusbroec. Was Eriugena a mystic? The question returns us to the provisional definition given in the general Introduction and consistently maintained throughout volume one and most of volume two. There we learned that "mystical" refers to any belief, system, or practice conducive to the experience of God's presence (vol. I, p. xvii). This definition happily replaces the one adopted through much of the modem period of exclusively private, mostly exceptional, experiences and the unusual expressions (visions, raptures, etc.) that often accompany them. Professor McGinn presents a more objective and more controllable criterion. He extends the mystical to a more or less direct consciousness of the divine presence as evident in texts that witness of, or are conducive to, such a consciousness. This sensible change enables him to include a great many theological texts of the first millennium without having to worry about the degree of their authors' subjective awareness of God's presence and to avoid the predicament to which all attempts to ascertain another person's private experience lead. Before the twelfth century almost no reports of private experiences exist and the ones that do exist, such as Augustine's "vision" of Ostia, so closely follow an established Neoplatonic pattern that they leave us wondering about their private nature. His more objective approach also dispensed the author from having to be overly concerned about the fine, in the early... (shrink)

Dans ses efforts pour la renaissance et la reconnaissance de l'Afrique, Léopold Sédar Senghor a élaboré une philosophie de l'art fondée sur l'identification des paradigmes inhérents au style afro-diasporique : le génie du rythme et l'hégémonie du mouvement, source d'un négro-orphisme où l'émotion apparaît consubstantielle de la commotion. S'inscrivant dans la continuité de la pensée senghorienne, le présent ouvrage met en place la théorie d'une esthétique kinésique et tente de l'appliquer à l'étude des pratiques oratoires, musicales, sportives, chorégraphiques afro-diasporiques. (...) Il montre comment l'idiosyncrasie africaine a servi de matrice à de nouveaux langages plastiques et musicaux tant en Europe qu'aux Amériques. Il en est ainsi de la geste jazzistique de Wynton Marsalis, examinée ici en lien avec la statuaire oraculaire nkisi nkondi du Congo, les polyphonies des peuples "pygmées", le bwiti et le mvet, culte et art verbal d'Afrique centrale. L'esthétique du jazz, du basket-ball, du hip-hop, des cultes religieux et des musiques diasporiques se rattache essentiellement à l'Afrique noire par la virtuosité expressive, la vitalité kinesthésique et la démocratisation du rythme. Libératrice, jouissive, délice dionysiaque, elle traduit le goût, la passion d'exister ainsi que la faculté de résistance d'une sensibilité culturelle qui a su surmonter les tragédies de l'Histoire avant de trouver de nouvelles voies de régénération et de dissémination dans le corps et l'âme des sociétés postmodernes. (shrink)

Mea culpa, mea culpa, mea maxima culpa : phraséologie liturgique ou expression d'un sentiment de culpabilité qui taraude l'espèce humaine depuis la nuit des temps? La faute est inscrite dans le parcours de l'homme et soulève maintes questions sur sa responsabilité, son rapport au monde, sa subordination à Dieu ou à Satan. A chaque époque sa réponse. Pour la période comprise entre 1453 et 1715, ont été convoqués les courants philosophiques et religieux, les écrits polémiques ou techniques pour affiner le (...) concept de faute en l'opposant le cas échéant à l'erreur et au péché. Ce premier tome analyse l'erreur technique en montrant comment l'établissement de la norme incline à sa transgression et suscite un débat moral qui aboutit à une définition plurielle de la faute. (shrink)

Pour peu qu'on ait vécu et réfléchi, l'absence de Dieu est une expérience absolument commune et déroutante. Et c'est souvent autour d'elle que surgissent les diverses attitudes : la religion, l'athéisme, la foi. Ce livre s'efforce d'abord d'analyser ces réactions. Il en tire ensuite un principe d'interprétation pour aborder les questions fondamentales que se pose l'homme devant Dieu. Enfin, il s'attache à situer la prière comme accueil de Dieu et acte de foi. Le style, le contenu et la méthode (...) de cet ouvrage le désignent particulièrement à l'attention de lecteurs à la recherche d'une pensée cohérente. Il voudrait les aider à élaborer un bilan de leur expérience humaine devant Dieu. (shrink)

Philosophers have long and skeptically viewed religion as a source of overeasy answers, with a singular, totalizing "God" and the comfort of an immortal soul being the greatest among them. But religious thought has always been more interesting--indeed, a rich source of endlessly unfolding questions. With questions from the 1885 Baltimore Catechism of the Catholic Church as the starting point for each chapter, Karmen MacKendrick offers postmodern reflections on many of the central doctrines of the Church: the oneness of (...) God, original sin, forgiveness, love and its connection to mortality, reverence for the relics of saints, and the doctrine of bodily resurrection. She maintains that we begin and end in questions and not in answers, in fragments and not in totalities--more precisely, in a fragmentation paradoxically integral to wholeness. Taking seriously Augustine's idea that we find the divine in memory, MacKendrick argues that memory does not lead us back in time to a tidy answer but opens onto a complicated and fragmented time in which we find that the one and the many, before and after and now, even sacred and profane are complexly entangled. Time becomes something lived, corporeal, and sacred, with fragments of eternity interspersed among the stretches of its duration. Our sense of ourselves is correspondingly complex, because theological considerations lead us not to the security of an everlasting, indivisible soul dwelling comfortably in the presence of a paternal deity but to a more complicated, perpetually peculiar, and paradoxical life in the flesh. Written out of MacKendrick's extensive background in both recent and late-ancient philosophy, this moving and poetic book can also be an inspiration to anyone, scholar or lay reader, seeking to find contemporary significance in these ancient theological doctrines. (shrink)

Mind has played the starring role in the West's arts, humanities, and sciences, while an embodied notion of oneself, others, and the physical world has been customarily pushed under the rug. In view of radical new theories, methods and techniques that have emerged during the past century and a half, the notion of complementary, sympathetic co-participation, and its accompanying re-enchantment, merits attention. C. S. Peirce is at the crossroads between modernism, enchantment, and misplaced concreteness, on the one hand, and postmodernism (...) and its attendant poststructuralism, on the other. His categories of feeling, sensation, and thought, and his triadic, all-encompassing concept of the sign, can help bring all facets of human creativity, concrete living, and understanding into a proper balance. Three coined terms — homogeny, hierogeny, and heterogeny — serve to elucidate how Peirce's triadic vision can offer a middle path, a way of mediating between antagonistic modes of sensing, living, and thinking. This middle path follows traditional tenets of logic and reason — identity, non-contradiction, and excluded-middle — while at its fringes, it allows deviation — by way of process, inconsistency, and incompleteness — from the rigidity that lies therein. Studies of feminist postures and various cultural processes in Latin America bear out the premise that a dose of conformity accompanying a tendency toward resistance can synethnically help keep broad cultural processes on an even keel, balancing mind and body, conflicting theories and methods and modes of living, and styles of reason and unreason in equilibrium. (shrink)

Although religious ethicists commonly assess the content of public communication to determine its merits, this article argues that the style and techniques of communication deserve similar analysis. Propaganda often employs rhetorical techniques that impress the recipient through persuasive sleight-of-hand or emotional appeal. Drawing on the church fathers’ suspicion of classical rhetoric, as well as Augustine's guarded defense of a specific type of rhetoric, the author formulates two principles of ethical propaganda that may assist public communicators in persuading ethically. (...) These two principles are the procedural movement of beauty from truth, and the use of caritas as a primary motivator in persuasion. (shrink)

In the aftermath of the debate between Derrida and Levinas on Hebraism and Hellenism, Christian thought that retains a place for philosophy is often regarded as “Graeco‐Christian”, a monolithic system with an unfortunate history. The work of the French philosopher Stansilas Breton suggests that the reality is more complex. In Le Verbe et la croix , he examines the function of the term logos staurou in Paul, arguing that this untranslatable term stands as a question mark in a world of (...) language that could only speak “Jew” or “Greek”. Far from being a sign of Christian superiority, the cross signals an imperative for dispossession intrinsic to Christian language. In its “nothingness” the cross functions as a principle of critique that makes innovation and engagement possible. Thus while the cross involves negation it moves beyond negative theology. Drawing upon neoplatonist philosophy, Breton delineates the way in which the cross makes possible “the writing of the self in the world”. This paper draws upon Breton's understanding of the function of the cross to argue that the heritage of Athens endures and must be re‐thought, always recognizing the limits of all human language. After examining Breton's understanding of the logos staurou, it relates this notion to his broader understanding of revelation as “writing”. Finally it shows how Breton appeals to neoplatonist meonotology to speak in more universal terms of the need for a principle of dispossession at the heart of all religious language. For Christians the cross is this principle, enabling human beings to be causes of themselves who engender new being. (shrink)

Tout parcours est "semé d'embûches" - chacun le sait, ou à tout le moins le sent. Ce livre en est à nouveau la preuve. Non pas qu'on nous tende des pièges, mais en cela que les courses de 'sauts d'obstacles' sont toujours les plus prestigieuses, mais aussi les plus périlleuses. En réponse à Une analytique du passage (Claude-Brunier Coulin, éd.), ce volume de la plume de l'auteur reprend ainsi point par point les 'interrogations et objections' soulevées lors du colloque de (...) Chevilly-Larue (5-7 Juillet 2014), tout en proposant un véritable 'itinéraire' retraçant sa propre trajectoire. La source franciscaine, l'humanité commune, le sens de la catholicité, la racine ignacienne, l'héritage péguyste, le rapport à la finitude, le problème du surnaturel, le statut de l'apologétique, la relation au corps, le sens de la voix, la traversée du chaos, la question de la limite, le statut de l'Ecriture, le sens du style..., sont autant de thèmes et de questions abordées dans le présent essai. Faisant de la lutte de Jacob avec l'ange la figure de proue de cette grande traversée - "Je ne te lâcherai pas que tu m'aies béni" (Gn 32, 27) -, cet ouvrage accomplit le 'cycle méthodologique' initié par Passer le Rubicon (Lessius, 2013), relayé par Le combat amoureux (Hermann, 2014), et achevé par le Parcours d'embûches (Editions franciscaines, 2016). (shrink)

This article is concerned with how a particular concept of ontology switched from theistic to atheistic to theistic again due to the influences and disciples of Martin Heidegger. It is agreed that Heidegger took aspects of Christian thought, namely from Augustine of Hippo, Martin Luther, and Søren Kierkegaard, stripping them of their relation to God and instead orientating them to nothingness. Despite Heidegger’s methodological atheism, his ontology was taken up by a number of theologians such as Ernst Fuchs and (...) Rudolf Bultmann, who in their turn influenced Eberhard Jüngel, who in turn mentioned the direct influence that Heidegger has on his thought. Whilst Jüngel acknowledges his debts to Heidegger in the area of ontology, Jüngel also seeks to incorporate the history of God into ontology, where the history of God as Trinity is defined by the passivity of Christ on the cross, and how that event redefines evil’s work in nothingness. This article initially explores how Heidegger formulated his account of ontology, then explores how Jüngel re-Christianized Heidegger’s ontology; evaluating what can be drawn from these shifts about the relationship between ontology and history. (shrink)

_A fresh, new translation of Augustine’s third work as a Christian convert__ "The 'Cassiciacum dialogues'... are of a high literary and intellectual quality, combining Ciceronian and neo-Platonic philosophy, Roman comedy and Vergilian poetry, and early Christian theology. They are also, arguably, Augustine’s most charming works, exhibiting his whimsical levity and ironic wryness."—_Credo__ The first four works written by St. Augustine of Hippo after his conversion to Christianity are dialogues that have influenced prominent thinkers from Boethius to Bernard (...) Lonergan. Usually called the “Cassiciacum dialogues,” these four works are of a high literary and intellectual quality, combining Ciceronian and neo-Platonic philosophy, Roman comedy and Vergilian poetry, and early Christian theology. They are also, arguably, Augustine’s most charming works, exhibiting his whimsical levity and ironic wryness. _On Order_ is the third work in this tetralogy, and it is Augustine’s only work explicitly devoted to theodicy, the reconciliation of Almighty God’s goodness with evil’s existence. In this dialogue, Augustine argues that a certain kind of self-knowledge is the key to unlocking the answers to theodicy’s vexing questions, and he devotes the latter half of the dialogue to an excursus on the liberal arts as disciplines that will help strengthen the mind to know itself and God. (shrink)

_A fresh, new translation of Augustine’s fourth work as a Christian convert_ The first four works written by St. Augustine of Hippo after his conversion to Christianity are dialogues that have influenced prominent thinkers from Boethius to Bernard Lonergan. Usually called the Cassiciacum dialogues, these four works are of a high literary and intellectual quality, combining Ciceronian and neo-Platonic philosophy, Roman comedy and Vergilian poetry, and early Christian theology. They are also, arguably, Augustine’s most charming works, exhibiting (...) his whimsical levity and ironic wryness. _Soliloquies_ is the fourth work in this tetralogy. Augustine coined the term “soliloquy” to describe this new form of dialogue. _Soliloquies__,_ a conversation between Augustine and his reason, fuses the dialogue genre and Roman theater, opening with a search for intellectual and moral self-knowledge before converging on the nature of truth and the question of the soul’s immortality. Foley’s volume also includes _On the Immortality of the Soul__,_ which consists of notes for the unfinished portion of the work. (shrink)